Kristen Lamb’s blog is an excellent resource for beginning writers and writers dedicated to craft. https://wordpress.com/read/post/id/8132324/17236/
In this post she talks about structure, which is near and dear to my heart right now. Go read it. I’d only add this:
See if you can hone your lead’s primary objective into a single word. SURVIVAL. LOVE. Sure, your hero is more complicated than a single objective can encompass, but the exercise will sharpen your focus and tighten up your tension in a sprawling or diffuse plot. Have characters in the story voice this primary objective as observation, exhortation, or comments of disbelief.
My hunch is that the Ghost of Hamlet’s Dad was a late-draft addition to Hamlet, when Shakespeare realized he had a nattering, complacent do-nothing for a main character who’s primary objection wasn’t clear to the Bard. Shakepeasre wisely put the motivation for his main character (“REVENGE”) in the form of a murdered and unredeemed spirit from beyond beseeching his son to take action.
If you can’t boil your main character’s motivation down to a single word, your hero might need a “Hamlet’s Dad’s Ghost.”
Whether we are traditionally published, indie published or self-published, we must connect with readers and tell a great story. Structure is the “delivery system” for our story, so it’s wise to make it as solid as possible.
Welcome to Part IV of my Structure Series—Testing the Idea
I assume that most of you reading this aspire to be great novelists. Novels are only one form of writing and, truth be told, they aren’t for everyone. Stringing together 60-100,000 words and keeping conflict on every page while delivering a story that makes sense on an intuitive level to the reader is no easy task.
That said, all novels begin with an idea. But how do we know if our idea has what it takes to make a great novel?
Many new writers start out with nothing more than a mental snippet, a flash of a scene or a nugget of an idea, and then…
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